Red Lantern at Cinecycle

Sunday evening, gig #2 for February...

CineCycle's Sounds & Silents presents a special post-Valentine's Day screening of F.W. Murnau's romantic epic film SUNRISE on 16mm.

Featuring a live soundtrack by RED LANTERN (Arthur Bull (guitar)/William Davison(electronics)/David Lee (bass)/Tena Palmer (voice)/Bob Vespaziani (percussion))

Sunday, February 15, 2015, 8pm, $10
CineCycle, behind 129 Spadina Ave., Toronto

CineCycle is pleased to present the latest in our Sounds & Silents series of classic film screenings with live soundtracks performed by a rotating roster of amazing musicians.

SUNRISE, aka SUNRISE: A SONG OF TWO HUMANS (1927) directed by F.W. Murnau ("NOSFERATU", "FAUST") won an Academy Award for Unique and Artistic Production at the first Academy Awards ceremony in 1929. In 2008, it was slotted at #4 in the 100 Greatest Films of all time by Cahiers du Cinema, and in 2012 Sight and Sound placed it at #5.

"Rich, strange and gorgeous, F.W. Murnau's "Sunrise" (1927) shows what an artist of the late silent era could accomplish cinematically, backed by an open checkbook and fueled by the highest aspirations even in the simplest of morality tales...full of kinetic visual marvels and startling shifts in tone." - Michael Phillips, CHICAGO TRIBUNE

"Murnau's visual mastery, his marriage of expressionism, visual lyricism and the daring technological ambition of pre-sound Hollywood, shows silent cinema at its pinnacle... With a succession of exquisite compositions, and complex use of light and shade, it combined the grandiose scale of Hollywood filmmaking with the intimacy and emotion of a European film, proving a great influence on both John Ford and Orson Welles."- FILM4.

Arthur Bull (guitar) has been active sporadically on the Canadian free improvisation scene. In Toronto in the '70s and '80s, he played with the CCMC, Michael Snow, the Bill Smith Ensemble, the Paul Cram Ensemble, David Prentice, John Oswald, and Paul Dutton. He occasionally accompanied the spoken word/sound poetry quartet the Four Horsemen (Dutton, Rafael Barreto-Rivera, Steve McCaffery, and BP Nichol) and shared the stage with such luminaries as Derek Bailey and Roscoe Mitchell. In 1990 he moved to Sandy Cove, Nova Scotia and focused on his writing, publishing "Hawthorn" and "Key to the Highway." He has been playing with guitarist Daniel Heïkalo regularly since 1996. The release of the duo's CD Dérapages à Cordes on the label Ambiances Magnétiques in 2000 marked Bull's "comeback" to public music, with a solo disc, Guitar Solo, following in 2001. In May of that year, the group appeared at the Festival International de Musique Actuelle de Victoriaville and In 2002 they performed at the Guelph Jazz Festival and Guitarévolution (Montréal).

William Davison (electronics) is a multi-disciplinary artist and electroacoustic improvisor who has been active in Toronto's underground, experimental, noise, and improvised music communities for 25 years. He mainly uses homemade instruments, amplified objects and minimal electronic effects to create his surprisingly varied and surreal soundscapes.

David Lee (bass) has performed, toured and recorded as a double bassist and cellist, worked for the jazz magazine Coda, and run the small press Nightwood Editions. A long collaboration with pianist Paul Bley resulted in the book Stopping Time: Paul Bley and the Transformation of Jazz (Véhicule Press 1999), and after David completed an MA in Music Criticism at McMaster University, The Mercury Press published a revised version of his thesis, The Battle of the Five Spot: Ornette Coleman and the New York Jazz Field (soon to be issued in a revised new edition by Wolsak & Wynn). David's time on the west coast is reflected in his latest book, the novel Commander Zero (Tightrope Books 2012) and his award-winning Chainsaws: a History (Harbour Publishing 2006). Currently pursuing a PhD in English & Theatre Studies at the University of Guelph, David will base his dissertation on his own first-hand knowledge of improvised music in Toronto in the 1970s and 1980s.

Tena Palmer (voice) established herself at the forefront of jazz vocal improvisation in North America during the 5 years she fronted the Celtic/free bop 4-tet, Chelsea Bridge. After living in Europe from ’96 – ’03 (Iceland: 6+ yrs., Holland, Prague) the award-winning singer and composer now resides in Toronto. Her voice and writing are featured on more than nine critically acclaimed CDs. Called "the most creative vocalist in Canadian free improvisation" by Stuart Broomer in Toronto Life Magazine, Tena tours and records in many styles: experimental, Brazilian, jazz, roots, minimalist electronica, Celtic, spoken word and musique concrète. Her compositions have been commissioned for European and N. American theatre, film, TV and live performance ensembles ranging from 3 to 19 players. Aside from creative work with diverse artists the world over Palmer is a frequent collaborator with leading Toronto musicians, such as double bassist Rob Clutton, and pianist Marilyn Lerner. “Palmer soars where angels fear to sing". – Mark Miller - The Toronto Globe and Mail.

Bob Vespaziani (percussion) is a freelance drummer/percussionist and is very active in both the blues and improvisational music scenes in Canada. He was a Maple Blues Nominee in the "Best Drums" category in 2002 and 2007. He has performed with Rusty, CCMC, Snooky Pryor, Little Mack Simmons, Zora Young, Phil Guy, A.C. Reed, Mel Brown, Willie "Big Eyes" Smith, Kenny "Blues Boss" Wayne, Harmonica Shaw, and Curley Bridges, His latest projects include Snake Oil Johnson (a deltadelic blues/roots band) and Toki Oto (a "tribal/worldbeat" duo with didgeridoo player Satoshi Ridd Saito). Other projects include an improvisational guitar and percussion duo with Arthur Bull, and a blues duo with Juno Award winner Julian Fauth. Bob also improvises with the electroacoustic collective Build To Suit. 2011 saw the release of Bob's first solo CD "The Concussionist" on his own SMS (Stage Mom's Suck!!!) label.

Hope to see you there!
- W.A.Davison